Photo Colorization Brings New Look to Family History
I probably talk about generative artificial intelligence a dozen times a day at my job. From churning out articles, to tagging content, to even understanding a creative brief and crafting a virtual photo shoot, AI is constantly evolving the toolkit I deploy for my global digital marketing clients.
Being the seismic disrupter it is, AI has now found a way to shake my family tree, too.
In this case, while assembling an entirely different story for this blog, scrolling through snapshots I’d saved on Ancestry.com, I noticed a hint nudging me to “restore your old photo” and try Ancestry’s new filters. What the heck, I thought, and did some clicking.
In the very next moment: WOAH. Like, double WOAH.
Thanksgiving 1949, Revisited
The first photo I tried colorizing was from a series taken at a Foutz family gathering at Thanksgiving, 1949. One of my goals when starting this blog was to share stories of my family’s history in a way that we can relate to, as if we were talking about our aunts and grandpas and cousins, instead of ancestors from hundreds of years ago.
The goal of genealogy, for me, was not plugging in names and dates, but coming face to face with family. I didn’t know what my great-grandfather Vance Foutz looked like. I didn’t know about my grandpa Don Foutz’s brothers, Roy and Carl. I had only met my great aunt Doris later in her life. These were family who walked the same streets and attended the same schools I did in Dover, Ohio.
As I made those connections, I gained access to records, and documents, and photos. Sometimes from distant relatives we didn’t know existed. Sometimes, as in the case of this trove of Thanksgiving pictures, buried in a box we happened to have at home – but whose names and faces and significance could not have been deciphered without first putting in the research.
When I first shared these pictures in this space, my cousin Whitney remarked that it was almost like we could step into the frame, say hello, pull up a chair, join the family. Well I re-experienced that revelation as I used Ancestry.com’s colorization tool on more and more of these shots.
Shall I Compare Thee to a Summer’s Day?
Another series I couldn’t wait to try were photos taken of my grandpa, Don Foutz, with his then-girlfriend, soon-to-be my grandma, Erma Miller, as they biked and posed at his home in Dover in 1941.
Ancestry uses AI technology provided by Photomyne to colorize photos and offer a series of filters you can use to adjust the result, preset filers like Restore, Cool, Warm, Contrast, etc. The effect isn’t perfect: sometimes the spectrum skews too often to red, or the color washes out like the edges of soap bubbles, or people behind the main subject or scenery in the background don’t get the color treatment. You can also auto-adjust the sharpness, but that ended up giving me oddly-focused faces in an otherwise watercolor-washed composition, giving the effect of AI baring its unnatural teeth.
Yes, there could be value in being able to really hand-tune the results, like we’re able to do on even basic social media. But I confess the initial results left me just tickled. Like our relatives stepping out of time and waving hello.
Vance Foutz Family – in Color
Like any old yearbook or photo album revisited, experiencing these classic portraits in a different light helps bring out details that might have been overlooked, like the shades of an expression, or texture in clothes or buildings or objects they used.
But the main effect is almost of meeting these beloved ancestors for the first time, as if they might just have passed by on the street, or posed for an iPhone snapshot at a backyard barbecue.
Maybe since so many of our photos today are filtered, and edited, and glossed to perfection, seeing these classic images with a different treatment, especially if it isn’t foolproof, bring out the life in them all the more.
All I know is I can’t stop looking.